Japanese Recovery Clothes

I am having some surgery in a short time and need some comfy clothes to wear during my recooperation. I figured why not try to be a bit stylish! My range of motion in my arms will be limited for a while, so I wanted to make some button-front garments to avoid to need to raise my arms overhead. I looked through my stash of patterns and two designs in my Japanese pattern books fit the bill the best. Cute, loose, and button-front.

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I wasn’t going to use this photo because I didn’t think this view looked flattering. I didn’t want to torture my husband to do a retake. But more importantly, I realized that this garment for me is about comfort and cover-up, and it is both of those things. So forget the perfectly staged photo!

 

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If you’ve been reading my blog, you know I’ve become quite a fan of the Japanese patterns in the past year or so. Now I’m even more entrenched! The first one is Tunic with Tie Belt – 8b from Simple Modern Sewing by Shufu to Seikatsu Sha.

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The second one is Button-up Blouse D from Stylish Dress Book, Wear With Freedom by Yoshiko Tsukiori.

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The fabric I used for the Tunic is from Mood in Los Angeles. I purchased it for another project a few months ago, but felt it lent itself well to this pattern. It is a light weight cotton and was $10 per yard. I paid for three yards, but really ended up with nearly four! They’re always generous. Thank you Mood!

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This tunic has 15 buttons! 13 down the front and one on each cuff.

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The cuff opening is made with a slash, covered with a narrow binding.

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The back has this cool loop detail. I think this garment was originally designed as a work shirt/cover up and the loop allowed the wearer to hang it on a hook in the studio.

Fabric I used for the Blouse is from The Fabric Store, also in Los Angeles, only five blocks from Mood. How lucky am I? This fabric, also intended for another project, was $10 per yard, but I hit a 30% sale. And like Mood, The Fabric Store is always generous. I paid for 1.5 yards, but ended up with close to two yards, and this fabric was nearly 60″ wide. Plenty for this blouse. I recently noticed from the print on the selvage, that this fabric is from Japan.

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For the cuff and the neck binding, I first sewed the right side of the binding to the wrong side of the fabric. Then I folded it in and top stitched it to the right side. You can avoid hand sewing with this technique.

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LET’S BE HONEST:

Tunic from Simple Modern Sewing:

1. This is my third project from this book, and continue to be impressed with the well drafted patterns.

2. The sizes in this book range from XS to L, bust 32 1/4″ t0 37.” I made a Medium and because of the loose fit of this pattern, I probably could have made a Small or even Extra Small and it wouldn’t have made much difference. I think it would be safe that if you fall  somewhat outside the Large measurements, you could still wear this pattern.

3. I was actually aiming to make a 7/8 length sleeve (just above the wrist) so I cut off about 2 inches before adding the cuff. It wasn’t quite enough, so I would probably take off another inch to acheive this style.

4. Here are the instructions. Typical for these Japanese patterns books. Sufficient if you have a background in the required techniques. Otherwise they are insufficient for a beginner as stand alone instructions.

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Button-up Blouse from Stylish Dress Book, Wear with Freedom:

1. This is also my third project from this book, and same as above, am continue impressed with the drafting.

2. The sizes in this book range from 6 to 16, bust 30 3/4″ to 40 1/4.” I made a size 10, and same as the tunic, I could have made a smaller size because of the very loose fit. So same conclusion, with this pattern, if you are larger than a size 16, you could probably still wear this pattern.

3. I did not make any changes to this pattern, and sewed it exactly as shown. (Actually, I did add a 1/4″ to the width of the bias binding. I was afraid it could fray or stretch and end up too narrow. I am of the philosophy that you can always trim off, but you can’t add on.)

4. If I were to make another one, I would probably use a lighter cotton weight with a softer hand.

5. Here are the instructions. Same comments as above. You are directed to another page for cuffs and buttonholes.

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I really like both of these garments, and I know I will continue to wear them after my recovery is complete. What about you, have you made garments to help you or someone else through a physical limitation?

 

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My pants are the Owyn Pants from Lotta Jansdotter Everyday Style.

 

 

 

 

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Japanese Smock Blouse B

Japanese patterns…I’ve become mildy obsessed. With each project I make, I become a bigger fan. My continuing quest for more interesting tops was a great reason to sew up my fourth Japanese pattern.

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The pattern I used is B: Smock Blouse with Garibaldi Sleeves from Stylish Dress Book, Wear With Freedom by Yoshiko Tsukiori. This is my second project from this book. My first was Japanese Dress Y. I chose pattern B because of it’s simplcity and design features that would lend well to a drapey fabric.

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This book has 26 adorable patterns to choose from.

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Contrary to my usual habits (I am actually not a fabric horder, and have very little stash), I already had the fabric before I choose this pattern. It was part of my online Black Friday sale purchase from Hawthorne Threads. The fabric is Anna Maria Horner, Pretty Potent Rayon, Eucalyptus in Ruby. I purchased about 2 yards for $9.95 per yard. This is a nice quality rayon which came through a machine prewash and line dry beautifully.

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The neckline is finished with bias tape which I first machine stitched to the front, then folded over, hand stitched on the inside and then top stitched on the front side. The pattern does not provide explict instructions on how to do this!

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Here’s a Garibaldi sleeve. It has a partially gathered bottom piece with an elastic casing hem.

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The back neckline does not have gathers.

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I did a machine blind hem. One of my favorite finishing techniques for hem that have little or no curve.

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Inside peek at the stitch.

LET’S BE HONEST:

1. The pattern sizes in this book range from 6 to 16. I cut a straight size 12, and was happy with the fit. I probably could have made a 10 and been just as satisfied since it’s very loose fitting.

2. This pattern is well drafted and true to the picture. I have developed a trust in the Japanese patterns.

3. However, as with the other Japanese patterns I’ve made, the instructions are minimal. If you are a beginner, do not attempt one of these patterns unless you have some in-person support. Here’s Blouse B in it’s one page entirety:

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4. The instructions showed the bias tape cut at 1 3/8″ wide. I cut it at 1 5/8″ because I was afraid any stretching or fraying might leave it too narrow in places.

5. I think one reason I like these patterns is they are friendly/flattering to the pear shaped, small busted woman.

I only sewed with Big 4 patterns (plus Burda) for 40 years. I trust them and know how to work with them. Since starting this blog, 2 years ago, I have ventured to other resources for patterns. (Yes, you can teach an old dog new tricks.) I have discovered that well drafted patterns can come from just about anywhere. Still, I choose patterns from alternate sources because I find an appealing and unique design, and not because I want to jump on the social media bandwagon with the latest indie pattern.

What about you? How do you choose patterns?

Thanks for visiting and reading this post! Cheers, Lori

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It’s been such a warm February, our trees think it’s spring!

 

 

 

 

 

 

Japanese Wraparound Dress

This is my one year anniversary of Sewing Myself Stylish. Have I sewn myself stylish yet? I would say not, but I’ve learned many things and had a lot of fun. Bit by bit, I will share my insights of sewing for myself again as well as my observations of the online sewing community and social media from the perspective of an “older” gal. But for now, I would just like to share with you Fresh Make #22, a comfy, versatile dress that I could wear a number places.DSC_0519DSC_0523DSC_0541 I did my occasional veer of the Big Four path for this one and used a pattern from the book “Simple Modern Sewing” by Shufu To Seikatsu Sha ($24.95). I am normally not compelled to buy these kinds of books because I am leery of the actual pattern drafting and fit of an unproven designer or company. BUT, my husband gave me a gift card for Interweave, so I took the opportunity to purchase this book which had not made it’s way to the 75% off section yet.

DSC_0546 I was immediately attracted to the Wraparound Dress with Three-Quarter-Length Sleeves. It looks like a dress I might have worn in college in the 80’s, or wear now, as a teacher dress.

DSC_0552The directions in the book are minimal. I wouldn’t recommend sewing patterns from this book unless you had basic knowledge of dress construction and/or weren’t planning to rely solely on what was provided in the book.

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The fabric I chose is kind of a textured chambray cotton from Michael Levine’s in DTLA. It’s about 58″ wide, and I purchased 3 yards at $15.00 per yard. It appeared to be a high quality cotton and was lovely to sew with. I like this fabric because it’s a basic with a bit of a twist.

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LET’S BE HONEST:
1. Obviously for this pattern, the most crucial measurement for determining your size is the bust. I am spot on for the Medium with a bust measurement of 35 1/2″. I cut the Medium and the dress fit me very well. So, here’s a word of warning to larger busted gals- Large is the biggest size with a bust measurement of 37″.

2. On me, the point of the dart is about an 1″ too high. If I make this again, I will reposition it. Fortunately the style is such that it’s not that noticeable. Also the texture and pattern in the fabric help mask this as well.

3. I am pleased with the accuracy of this pattern. It sewed up just like it was portrayed in the photo. I realize this is a classic Japanese pattern, and obviously the author of this book had access to a well drafted one. I am planning to try other patterns in the book. I already have a fabulous linen fabric for a skirt.

4. When tracing off this pattern from the master sheet, you need to be up for figuring out which lines go to which pieces as several pieces are overlaid on each other.DSC_0554

I love this dress, my first project of the new year. It couldn’t be more comfortable. I intend to wear it with different tank tops or t-shirts underneath for a pop of color. Thanks for reading this post. I welcome your comments. Cheers! Lori

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